Friday, 27 November 2009

The Powerful Powerlord

Once in a while, a hip hop artist will step up to the frame with a couple of banging joints, only to vanish into thin air and leave their audience begging for more. For example I could drop names like UPTOWN (remember "Dope On Plastic"?), SEEBORN & PUMA, PHASE & RHYTHM, and in this instance I'm thinking of SUGAR BEAR THE POWERFUL POWERLORD. The moment I first heard "Don't Scandalize Mine" I knew the track was gonna be big, but even I was surprised when it crossed over to the mainstream here in the UK. It's such a shame when dope emcees don't get the chances they deserve, especially when we are surrounded by a zillion wack rappers in the music industry these days. I always loved the sound of SUGAR BEAR's voice, and there was no questioning the beats on the debut 12" single on COSLIT RECORDS. But no product came after that, apart from one quick guest vocal on a 1989 RICHIE RICH track entitled "Coming From London" on GEE STREET RECORDS. This was recorded whilst SUGAR BEAR was on European tour and hooked up with the UK's RICHIE RICH who was making noise back then. The track they recorded together was musically no technical masterpiece, despite good use of "Brother Green" and "Long Red" drums, but SUGAR BEAR's distinct rhymes and RICHIE RICH's competent cuts (or is it SUGAR BEAR's DJ CUT COUSIN??) make the track worth a listen.
If you wanna read more about THE POWERFUL POWERLORD, click HERE to read a dope interview with the man himself, including how he stumbled into making a hip hop record whilst acting as manager for SON OF BAZERK. It makes a great read while you check out "Coming from London" below.



Kid Dyno

Tuesday, 24 November 2009

More B-Boy Breaks on 45

It's been a long time - I shouldn't have left you...without some strong beats to step to. So here I am back with some more baddaass b-boy breaks on 45 to quench your thirst for beats. It's been a while since my last 45rpm special, so I've included some essential rhythms for the b-boys and b-girls. It's now five years since my good friend and legendary break DJ JAMES LEACY passed away, and I still find myself looking for records that he put me up on years ago. Plus there's a few records he wouldn't reveal (not even to me - he was a stickler for hip hop traditions) that I'm only finding now in 2009. Damn, he was at the pinnacle of his game when we lost him. But his legacy grows bigger together with the growth of the B-Boy culture, and I like to see that. We miss you JIM!
So a mixture of my feelings about LEACY, and hearing SKEME RICHARDS play recently at the SONY ERICSSON UK B-BOY CHAMPS has inspired me to pull out some fresh b-boy beats from the DAILY DIGGERS crates. You know we got tons of beats ready for the throwdown or hoedown, so here goes....

A particular favourite of mine - I used this heavy disco joint on my DAILY DIGGERS SOUND break mix from a few years back, mainly because the breakdown is, as KURTIS BLOW would say, "so damn tough". But both here and there I use the instrumental version, whereas the a-side pf the 45rpm has female vocals included. Either way the compulsive rhythm gets you in the uptempo groove, and lures you onto the dancefloor. And when the breakdown comes it has more shuffle than Muhammed Ali!

This 45 is actually a hard to find bootleg of one of the cuts off the ORGANIZATION LP (a seriously rare piece) but even this unoffical 45 makes mad loot on the internet as the demand for it is so high. I have been lucky enough to see the original LP in the flesh, and I know who pressed up the 45rpm, although it was over 15 years ago now. T.A.T. stands for "That's A Tune" I am reliably informed.
As far as I know, this is the funkiest cut off the LP and features some monster horn riffs over heavy sounding and very crisp drums. I love it personally, yet I have never heard it spun for a b-boy circle. If you know otherwise please hit me up with a comment.

RUFUS THOMAS - "Do The Funky Penguin pt2" STAX RECORDS 1971
I'm sure everyone knows this classsic UBB break beat already, but it's part II that really rocks the house in my humble opinion. Those killer drums in the intro are insane, and as usual with a 45rpm pressing they sound much fatter than on any other vinyl format - perfect for sampling. Bizarrely he then leads into the Wedding March melody before letting off the real funk guns. THOMAS sings "Don't Just Sit There, Get On Up!", perfect for enticing some floor rock in a circle.
RUFUS certainly blessed us with some dope ass break records over the years, most of them involving animals in some shape or form LOL... thanks RUFUS.

Now this joint is a sureshot record to drop if you wanna fill the circle with b-boy action! Not what you would normally expect from GREGORY (from what I know) and released on the b-side of the Italian 45rpm pressing of the single "One More Time". Right from the word go it's got funky drums and provocative bass stabs whilst GREGORY gets warmed up. And then the bongos drop and all hell breaks loose. This is an uber-funky joint despite being from 1975, when DISCO was just beginning to get a grip on the public's musical taste.
GREGORY continues with his forceful chants .... "Come On Now Gimme Babe!" ... and sounds very demanding in his message. But to top things off there is a drum break and ripe bongo solo with strings to add the suspense. Drop this and watch the b-boys go wild.
I must shout out props to FISH BOOGIE, I know you just copped this record recently.

Now this is one of the first drum break 45s I ever purchased, from CRAZY BEAT RECORD SHOP in Upminster, UK. It must have been early 90s if my memory serves me correctly. Anyway, this is a straight up funk banger from start to finish, with a jerky drum break intro, but also has a very short but addictive little loop in the middle (I've edited the clip in the style of Louis Flores of UBB fame to extend the break part). The whole track is only a shade over two minutes long and often catches me sleeping when I'm spinning out and about.

Wow - this funky shit goes whaaay back to 1965. Records like this kinda broaden my well-established digging horizons to be honest, as I normally stick to the late 60's early 70's sound. It just shows how wrong you can be.
This joint starts with an awesome drum roll, and continues bass heavy and with snappy drums throughout. The nasal vocals only add to the bugged out mood of this funky little number on JEWEL RECORDS (one label to most definitely look out for). But for me it is the persistent drums that keep my head boppin and legs shaking! It makes me wanna get down, just as any true b-boy record should.

This one is a serious uprock classic, and has lots of little rhythm changes and breakdowns all leading up to the main throwdown. Even without the dancers you can imagine the scene.
The snappy snares and funky bassline keeps the jam flowing throughout, accompanied by the traditional whoops and cheers from the studio crowd. The horns and guitar have a riff battle at one stage just prior to a horn solo and then the breakdown itself. Hot shit!

keep rockin'...

Kid Dyno

Monday, 23 November 2009

MFS Brotha

Saturday, 7 November 2009

Cooldjfrank interviews....

Check out Cooldjfrank's interview with AUSTIN TADDEI discussing the art of making beats, Philly Hip Hop, and diggin' for rare hip hop records. It's a low budget affair, but the same can't be said for those records on AUSTIN's wall - there's some straight-up killer LPs on display! Props to him.
And you will see he spins the previously unreleased "Raise Up" by the legendary MAIN SOURCE (DWG promo 7" release) ... oooh nice!

Thursday, 5 November 2009

Vintage NYC Trains

Here's some vintage paint on steel from NYC's transit system. In particular it shows one of my favourite window-downs from Trap, Dez and Skeme and a dope "camouflaged" 3D burner by the mighty Kase. Simply click on the photos to enlarge.

Sunday, 1 November 2009

Sit Back Relax Listen to Some Hip-Hop

As much as I love to discover a crispy drum break, I'm also real partial to any classic samples from yesterday's hip hop music. Essentially, the art of making dope hip hop beats involves taking a few of your favourite segments of music from other genres, and sandwiching them together into a new, much doper composition. It might be a 2 bar loop, or simply some drum chops, but the art is to listen out for that "hip hop" sound (if you dig for beats then you will know what I mean by this).
So if you like the hip hop track, then in turn you will also appreciate the original records that were sampled to make it. For me it has opened doors to musical genres that I never thought I would look into. But hey, that's what good music can do for you. And hip hop is good music.

Sit Back Relax Listen to Some Hip-Hop

Kid Dyno