Saturday, 26 January 2008

Cold Chillin' with the Juice Crew

When we first heard about the forthcoming US film "The Vapors" .....to say we were excited is an understatement. No doubt that the exploits of the Juice Crew back in the late 80's led them to become a major force in Hip Hop's golden era, but if you had told us then that they would eventually make a full length movie about the crew coming outta Queens, we wouldn't have believed you for a hot minute.

But then on second thought, and if we examine in detail the impact the Juice Crew members made on Hip Hop music, it becomes a much clearer picture.
As we have mentioned before here on Breaks For Days, Hip Hop music's tenuous first few years on vinyl didn't truely represent the artform in the same way as the kids in the parks who had originally created it. The use of breakbeats to provide the music for emcees to rhyme over may have been essential in the parks and parties, but the music industry (eager to earn a buck or two from Hip Hop) had different ideas when it came to pressing "rap" on wax. Their introduction of "house bands" and disco producers to provide the backing music for emcees only lead to a twisted and counterfeit version of the artform - and many original Hip Hoppers lost interest in the early 80's music. Where was "Apache"? Where was "Sing a Simple Song"? Where was "Pussyfooter"? After all it was the pure energy of the music itself (and more importantly the breaks contained within) that gave the emcees their confidence and made them wanna rock tight on the mic. Hip Hop had become instantly diluted!

But little did we know back then that superproducer Marley Marl was coming to save us all. As a pioneering producer and sidekick of the legendary Mister Magic, Marley's love of technology eventually made him realise he could sample directly from a drum break record and re-create the drum sounds into his own patterns. Yes many early artists had re-played familiar funky basslines and incorporated them into their songs ("Was Dog a Doughnut" for instance on Fearless Four "It's Magic"), but for the first time the actual sounds of the drums could be chopped, looped and still retain the original energy that made people "go off!". Little did Marley know at the time he had struck gold with his techniques, and single-handedly enabled Hip Hop music to sound "authentic" once again.

Marley came to the forefront as the "engineer all-star" and chief spinner of wax on the WBLS "Rap Attack" radio show. Hosted by Super Rockin' Mister Magic (now somewhat of a legend of the NY airwaves) they were playing music from the early hip hop pioneers, despite the station being more R&B orientated. His knickname "Sir Juice" eventually led to the formation of his "Juice Crew" - a team of eager young Queensbridge talent ready to take the Hip Hop world by storm, using Marley's ear for sound and technical know-how as the backbone. Together they formed the Juice Crew alongside Tyrone "Fly Ty" Williams, who had originally co-produced their WBLS radio show.

The roll-call of Juice Crew members now looks like a "who's who" list of Hip Hop greats.......MC Shan, Big Daddy Kane, Roxanne Shante, Biz Markie, Kool G Rap & DJ Polo, Tragedy, Master Ace, Craig G, Cool V, Mister Cee, TJ Swann, MC Glamorous, Debby Dee and others.

And of course how can we forget that the Juice Crew sparked one of hip-hop’s first ever rivalries between crews from different areas of the tri-borough. Now affectionately known as the "Bridge Wars", the fierce competition amongst crews gradually built to fever pitch as crews dissed other boroughs and proclaimed theirselves as New Yorks number one. When MC Shan released his single "The Bridge" it was an open invite for the Bronx to diss Queens in return. And it was of course Boogie Down Productions that stepped up to the frame to launch their verbal attack through the voice of the Blastmaster KRS One. Was this true beef? Did it dramatically lift record sales on both sides? We will let you decide the circumstances in which the Bridge Wars developed, and of course we have our own opinions - suffice to say KRS and Shan performed on stage together many years later (and even released a joint compilation LP on Cold Chillin').
Marley Marl's vision was to establish a recording group in which to display his production skills, and looked to his own neighbourhood of Queens to assemble the talent. His first signing was a young Roxanne Shante (real name Lolita) who as a hardened ghetto girl was equipped with some fiery raps and could quite easily take on her male counterparts. The story goes that Roxanne Shante overheard a conversation outside a Queensbridge housing project between Marley, Fly Ty and Magic who were discussing the fact that UTFO had cancelled on a gig that the trio were promoting. Shante stepped up to offer her services, particularly as UTFO had just released a song called "Roxanne, Roxanne" about a stuck-up girl who ignores the group and their love advances. The result was "Roxanne's Revenge" on Pop Art records, a hardline diss at UTFO and other egotistical males which featured some pretty obscene suggestions.....and so started the Roxanne stories with every rapper coming out of the woodwork with their own Roxanne answer record (over 100 I believe - for more info check out Drewhuge & Dan Large at the uber-excellent fatlacemag)

MC Shan was the second signing - a quick witted and smart talking emcee who bragged constantly, and tried to come across harder on the mic than his real-life slim frame would lead you to believe he actually was. In fact Shan's high opinion of himself resulted in his thinking that he was too good to appear on the "The Symphony" - a mistake I'm sure he regretted later! Possibly the best posse cut of all time? (EDIT: oops I forgot Juice Crew Allstars!!)

Soon Marley added the lyrical sniper and part-time gigolo Bid Daddy Kane to the roster, alongside the one-and-only comedian of Hip Hop the Diabolical Biz Markie (ah One Two!). Add to this the incredible Kool G Rap & DJ Polo and you have three legendary artists of the game right there! You only have to look at the career spans of the aformentioned three to see the contribution COLD CHILLIN' and it's sister label PRISM have made to the Hip Hop community. And if you're still not sure......lemme just say POISON, RAW, MAKE THE MUSIC WITH YOUR MOUTH, SET IT OFF, THE VAPORS, IT'S A DEMO....nuff said!!

To show and prove our love for the COLD CHILLIN' label (and yes that includes the 42% of you who voted in favour of this post) we're gonna go deep into the COLD CHILLIN'/PRISM back catalogue to listen to some of our favourites. Man there is just too many to drop them all in the mix, so sorry if we miss out your favourite. But that's a testament to Marley Marl's skills, due to the fact that he put out so many bangers! Just look at what he did for a certain James Todd Smith - he made the hard man look and sound much harder!! And that's no mean feat.

So thanks to all of you reading this that voted on the Cold Chillin' feature. I'm sure you will all be rewarded handsomely when the film "THE VAPORS" drops. I believe filming has already begun. Blackfilm.com is reporting that the following have been cast for various roles in the upcoming film "....Rapper-actor David Banner will play the part of Biz Markie, Cuba Gooding Jr. will be playing Marley Marl, Evan Ross will play MC Shan, Jackie Long as Big Daddy Kane, and Idris Elba as Tyrone Williams aka Fly Ty. This is on the heels of the announcement that Keke Palmerhas been cast as rapper Roxanne Shante. Clifton Powell was previous announced as playing the part of hip hop DJ and radio host Mr. Magic. Furqaan Clover (Queen of Media: The Wendy Williams Story) is set to direct it. Questionmark Entertainment and Marley Marl, Roxanne Shante and Big Daddy Kane are executive
producers on the film while Indiefilmx.com will produce the film."

Exciting stuff. Now back to the music...... We're gonna take a deep breath and dive head-first into our COLD CHILLIN' / PRISM crates and drop some of our favourites in the mix. We hope you enjoy!

JUICE CREW MIX (30 mins)

Keep cold chillin'

Kid Dyno

p.s thanks and credit goes to J Smooth of the Underground Railroad for the Marley photo.

Monday, 21 January 2008

UNIQUE - Die Hard EP

People power - it is truly amazing what can be achieved. Who would have ever thought five years ago (in the midst of the then dismal Hip Hop industry), that a new avenue of hope would eventually open up for us real Hip Hop fans. Not only were we tired of the major labels in the industry trying to spoon feed us weak beats and poor rhymes and package it as "Hip Hop", but the drop in vinyl sales generally also affected the profitability of our so-important indie labels. Some fell on hard times, and the majors' vice-like grip only tightened. Things did not look good from any angle.
But finally we have stood up for ourselves and offered out a big "Fuck You" to the industry
and found our own "new" shit to listen to. I say "new" because a lot of it wasn't actually "new" music. Of course the internet and websites like Myspace and others had allowed great new artists to get their music heard by the punters without the need for any kind of corporate backing. But at the same time it also allowed the punters to track down the artists of their choice. And who says it has to be a new artist??

So in the last couple of years it's not suprising to see that many record lovers have (via the web) made contact with their favourite artist(s) from back in the day, and maybe passed on a few compliments ("YO I got all your records!!" LOL!). Possibly asked a few nerdout questions...."who did the scratching on this track?"....and then one day BOOM! the reply they receive is....."Actually you don't have ALL my tracks!"

Many Hip Hop artists from bygone days had unreleased cuts that didn't make their 12" release, or perhaps were pulled from their LP, or sometimes that were recorded purely as a demo in order to obtain a deal. On hearing this, a Hip Hop lovers heart starts pulsating in a funkydrummer-like rhythm, and their eyes start spinning like a pair of Technics 1200s in beat-juggle mode!!

So now a quest to find that ever-elusive promo 12" that you always wanted, has incredibly now been eclipsed by the search for the unheard and unreleased shit! The grail of all grails! And as music lovers and Hip Hoppers, we have only good things to gain from this kind of situation.
A few of the more estute members of our diggin community, namely diggerswithgratitude, were among the first, to pull off some amazing "never heard this shit before" type steez. And what a dome-belter it was with a vinyl release of PHILL MOST CHILL's "Be Intelligent" EP featuring unreleased cuts from the same era as his 12" on IN EFFECT RECORDS.

Swiftly followed by DWG002 - a selection of unreleased tracks from GODFATHER DON which were partially aired on or recorded for the legendary Stretch & Bobbito 89TEC9 radio show. Entitled THE SLAVE OF NEW YORK EP, this once again set a standard by which others had to adhere. And we didn't have to wait that long.

Shortly before the DWG first release, the FREESTYLE PROFESSORS had just dropped unreleased gems from their back catalogue with the aid of Ed Catto (nice work Ed).
Priced at $100 this may initially seem like an expensive purchase, but just sit and think for a moment what you are actually getting here. You're not paying huge amounts for an overpriced and overhyped twelve after entering an eBay bidding war beacuse of the word "random". What you are purchasing in most cases is a truely limited (and in many cases less than a couple of hundred pressed only) and one-off chance to own some dope material which is UNAVAILABLE elsewhere. And very often these vinyl releases are signed by the artist so it truely makes it a collectable piece. OK so your boy down the road might have an mp3 of this or that track, but personally I couldn't give a rats arse what mp3s he has. I'm a vinyl lover period!
The DWG releases have also been priced around the £40 mark, and they have flown off the shelves like hot cakes on a frosty morning! In this game if you snooze, you lose. And if you didn't cop some of these incredibly dope and very limited releases, then I guess you will be kicking yourself pretty damn hard in the very near future.

Only this weekend a copy of UNIQUE's DIE HARD EP (DWG003) hit the Daily Diggers doormat greeted by a large smile and very soon after some serious volume cranking. Remember the dude who brought us "Pure Dynamite" and "Axe Maniac" in '89?? To have 4 more cuts from UNIQUE that I have never heard before kinda blows my grey matter to be honest. It's like being a kid again. Not that I ever grew up!
And now I learn that those crazy cats at VINYL ADDICTS have got some unreleased LORD FINESSE & MIKE SMOOTH due to drop on wax, and DJ CRO (MAIN INGREDIENT RADIO) plus his CRATE ESCAPE label are gonna bring us the KURIOUS JORGE "CONSTIPATED MONKEY DEMO EP" in February of this year. Holy smoke where will it all end?? I'm not sure I can digest all this at once! Don't get me wrong....I ain't complaining.
So now the music industry can kiss my skinny white butt while I listen to Golden Era dopeness that they thought we wouldn't wanna hear. Let them release that pish they call Hip Hop. Because we know better don't we??
And huge props to the guys making these releases happen. It's enough to make an ageing hip hop junkie like me go OD! It takes a hell of a lot of time and effort to make these releases happen. And to the odd few who have complained that the prices are high because these cats are only out to make a fast buck or two.....you knuckleheads! If they were in it for the money they wouldn't be putting out "true" Hip Hop like this in such small quantities! Do the maths!!

Here's some essential unreleased listening...


PHILL MOST CHILL - Be Intelligent EP (DWG001)
GODFATHER DON - Slave of New York EP (DWG 002)
UNIQUE - Die Hard EP (DWG003)
KURIOUS JORGE - The Constipated Monkey Demos (Crate Escape)
LORD FINESSE & MIKE SMOOTH - Funky Dope Maneuver EP (VA001)
BARITONE TIPLOVE - Livin' Foul DBL LP (white)


Kid Dyno

Friday, 18 January 2008

Breaks for Days podcast

It's that time again where we rummage deep in the DAILY DIGGERS vaults so we can bring you some vintage BEATS to kick your weekend off to a good start. Hopefully you have no work this saturday or sunday and so you can kick off your shoes and relax to some funky sounds courtesy of KID DYNOMITE & The BEAT DETECTIVE.!


We are going to drop some ill rock drums, a handful of funk classics, some real vinyl obscurities, and of course a few Hip Hop treats from back in the days. We wouldn't give it to ya any other way!!

Please stay tuned!

Breaks for Days 18/01/08

Tracklist
Metal Fingers vs. Super Lover Cee - Corriander Got 'Em Locked
Larry Larr - Keep On Y'All
Pesos - Don't Smile
Hot Day Dante - Going Straight Up
skit
Ghostface - Mighty Healthy
Slum Brothers - The Sureshot
Godfather Don - Styles by the Gram
Ill Brothers - Funkneck
Colored Section - Bomb MC
Daily Diggers skit
Unique - War Rap
Roy Ayers
The Fabulettes - Muddy Waters
Matata - Return To You
Paul Humphrey - Detroit
Little Feat
Persuasive Percussion
Rare Earth - I'm Losing Her
The Police - Voices inside my Head
Godfather Don INSTRUMENTAL
Dr. Frankenstein - Frankenstein's Pain
Fierce - Come Close
Country Joe McDonald - TV Blues



Kid Dyno & The Beat Detective

Nasty Nas Live on the Capital Rap Show

Hey people! Keeping with our recent theme of live emcee action, check out the new PADDYSHOP blog which is sure to bring us lots of Hip Hop goodness over the forthcoming months.
For a starter (and what a starter it is!) you can listen to an appearance by Nas (or Nasty Nas as we knew him then) on the legendary Capital Rap Show with DJ Tim Westwood (no right turns, no left turns, just straight ahead into the firing line!)
Recorded and broadcasted in '94, from a time when Nas sounded at his best IMO - he was still hungry at this stage. Recorded midway through promoting his incredible debut album "Illmatic". What a classic that was!!
There's also a great article taken from the very first edition of EGO TRIP mag, where Nas really speaks his mind. I have just realised this is over 14 years ago now. Damn how time flies!

Great post from PADDYSHOP - have a read, then a listen, and then do like it says...and "Bookmark This Sh*t!"

Kid Dyno

Thursday, 10 January 2008

Lord Finesse kicks it accapella

"When it comes to Rap, I'm all that and a bag o' chips!"
- Lord Finesse '94

Once again we're back at the Rocksteady Anniversary in '94. At the time, the re-union was held outdoor in a ballpark just off Amsterdam Avenue and 98th in Manhattan (Uptown). Known as "Rocksteady Park" because of its affiliation with the RSC over the last 3 decades, this park has seen some events! Although to be there in the day you would never realise its place in hip hop history - it looks like any regular NY ballpark.
The RSC Anniversary also had an indoor event planned in the Manhattan Centre later that week, with the highlight being DITC on stage, as well as Q-Bert and the Rocksteady Djs (as they were then known) performing their live routines. This was due to be hosted by the Funkyman Finesse himself, but would he arrive at the park to do his thing??

We had seen several MCs take the mic, including Fat Joe, KRS, and a fresh-outta-Cali Alkaholiks crew who threw cans of beer into the crowd!! But the rumours were Lord Finesse was gonna drop a verse or two. Needless to say we were'nt disappointed.

You can even here KRS One laughing in the background on several occasions. Finesse chose to rip the mic accapella....and although you will recognise the rhymes he drops, this was possibly the first time he had busted 'em live.

Lord Finesse Live at RSC Anniversary July '94
**WARNING** Explicit Lyrics!!

Monday, 7 January 2008

The Artifacts Live in '94

Now it's time for some LIVE ON STAGE action. To be completely honest we have been inspired so much lately by Phill Most Chill's excellent "THAT REAL SCHITT" blog and the amazing old school tapes he's been dropping lately (that's a legend teaching us about legends right there!). So we thought it's only fair to share a little of what have stashed away on a well-chewed up cassette tape somewhere at the bottom of a dusty box marked "NY 1994"!
Our first offering was recorded in July 1994 at the Rocksteady Crew 16th Anniversary Jam in New York at the now famous "Rocksteady Park". Hosted by RSC's very own Crazy Legs and Kool Bob Love aka Bobbito the Barber, this anniversary jam had brought together some great names for live appearances including Lord Finesse, Kurious Jorge, Rocksteady Djs (Qbert and Mixmaster Mike), and KRS One to name just a few.
But Rocksteady Jam 94 also saw The Artifacts take to the stage at a time before their "Wrong Side Of The Tracks" 12" had dropped on the masses, and they were only just riding on the back of the success of the Nubian Crackers release they featured on. Have a listen below to THE ARTIFACTS LIVE AT ROCKSTEADY '94 and let us know if you like it, and maybe later on we will post more archive recordings of other artists at the anniversary jam??? Tame One and El Da Sensai's set is f#cked up at first with sound or DAT problems, but hold tight and witness the Boom Skwad eventually rip shit!
Later that very same day, the Lord Finesse appearance was pretty amazing as he performed accapella.............and you could hear KRS laughing backstage at his hilarious yet predictable Michael Jackson diss. As a young Hip Hopper from the UK it was spine-chilling to witness the Funkyman do his thing live. Also there was an early appearance on the mic by Zulu Gremlin. And Mixmaster Mike rocked his set despite a needle snapping half way through. But I haven't posted those clips up yet, please drop a few comments if you dig it and we will keep our word and post some more goodness for your domepieces.

THE ARTIFACTS LIVE at Rocksteady Anniversary JULY '94


z-share download - ARTIFACTS LIVE Rocksteady Anniversary JULY '94

Friday, 4 January 2008

Collabos and Posse Cuts

The music industry has seen artist collaborations since the 50s and 60s, and Hip Hop is no exception with its fair share of collabos and posse cuts hitting wax. More often than not in early Hip Hop, the coming together of 2 artists was to demonstrate crew allegiances, rather than being industry-created for financial reasons. Later on in the forthcoming weeks we will bring you some of the deffest posse cuts of all time, but to get you in the mood early, here's a nice 3 emcee collabo from 1991.
From Big Daddy Kane's "Prince of Darkness" LP, here we see Kane bring on Q-Tip (A Tribe Called Quest) and Busta Rhymes (Leaders of the New School) to join him over the Kelly's Heroes break.
If you don't own this already, aim to find the promo only double vinyl LP for the superior pressing quality.

BDK, BUSTA & Q-TIP - Come on Down

Wednesday, 2 January 2008

Breaks for Days podcast

Coming soon... Breaks for Days RADIO show with a bi-weekly download direct from the DAILY DIGGERS HQ. It's gonna be a mixture of.....funky breaks, old school hip hop, golden era classics, 90's indies and of course new millenium beats that we think are dope! We may even slip a few funky Double D remixes into the show.

We've done radio for various staions over the years so it only seems natural to drop a little podcast here and there on our OWN damn page. We can then give you a flavour of what we are listening to. And who knows, we may even progress to video if the technology allows?

You can hear the first test broadcast by clicking on the player below, and we have added a track listing too.

Approx 1hr 15mins in length, perfect for a journey to/from work to brighten up your day, to put some bounce into your ounce, or for inspiration when you are out on a digging mission.

Got any requests? Then hit us up on the comments page and we will try our best to please our regular listeners.

ENJOY!



or

zshare download

Tracklist
skit
Art of Origin - No Slow Rollin'
Lord Finesse - Yes You May (Funk Flow mix)
Troubleneck Bros - Gusto
Ty Wizah - Bust the Context
Kool G Rap - Letters
skit
The Jaz - Sign of the Crimes
Donald D - Let the Horns Blow
Original Flavor - Give 'Em Some Wrek
Positive K - One to the Head
Tyree - Mind Altering Dope Cuts
Slick Rick - It's a Boy (KING remix)
skit
Johnny Hammond - Big Sur Suite
Kool & The Gang - Give It Up
Olympic Runners - Just Funkin' Around
Joe Thomas - Mike
Billy Preston & Syreeta - Books & Basketball
Kid Dynamite - Uphill Peace of Mind
Isotope - Do The Business
The New Apocalypse - Stainless Soul
Clyde McPhatter - Mixed Up Cup
Off Side - Small Deal
Orange Krush - Action
skit


Kid Dyno & The Beat Detective

Friday, 28 December 2007

All Hail the Drums!

Let's face it...if we didn't have Drums we wouldn't have Hip Hop music. And without them we wouldn't be here indulging so deeply in this love of Hip Hop in the first place! The majority of musical compositions today rely on the drums as the backbone of the piece, creating tempo for the song and keeping time for all other instruments to follow. The subconscious connection between the rhythmic drum patterns and our own heartbeat of life has meant the drums has become and integral part of music today and no doubt will be in the future. And Hip Hop culture itself was born in essence from the drum beat itself. The scratched and looped patterns of funky drums spun in the parks & community centres of the Bronx seemed to have an incredible effect on the listeners. At first it was the B-Boys and B-girls who took it as an invite to toprock, throwdown, and do the do. And soon after emcees accepted the drums' invite to unleash their rhythmic poetry on the awaiting crowd. Hip Hop's creation had begun, but without that initial spark of those funky drum joints....would it have happened?? I doubt it.

So what we are going to do here is pay homage those artists who blessed us with some of the hardest and funkiest drums on the planet. Without them we couldn't make Hip Hop music the way we do.Some of the records we will feature have been widely used within Hip Hop and sometimes in other forms of music. Some will be lesser known, but we're more than happy to spread the knowledge for the lesser known funky break beat. Hopefully one or two of you reading this will feel the urge to contribute 2 or 3 of your own. Please feel free to hit us off at the usual address, and we will add them to the list and give you your props.

And please remember, the use of drum breaks in Hip Hop spawned a million other musical genres and totally re-defined the way most music would be made for generations to come. There, I've said it!! I'll get off my soapbox now...

So here's a few classic beats to get us started.....Of course we ain't gonna hit you with our stingers straight away, but they will definitely come later LOL! The first three are examples of great drums for looping, and the Locomotiv GT joint is more of a B-Boy break, but still a party rocker!! The drums and vocal chants get busy on that one towards the end, so stick with it and feel the groooove!! First out the drums crate is.....


Fausto Papetti - Love's Theme



JSD Band - Green Fields (of America)



Passport - Puzzle



Locomotiv GT - Rock Yourself



Butts Band - Caught In The Middle



Alice Cooper - Public Animal #9




..and a BIG thanks to RICKY RICK for putting us up on this one below. Snappy drums no doubt! Keep 'em coming!

T.Life - Checkin' Out Your Love





"Cold break ill with the drummer - HIT ME!!"

Kid Dyno

Monday, 17 December 2007

Beats on Toast


Ahhh yAWn! On a day when I have no work or other early morning plans (of which there are few) I like nothing more than to kick back, switch on the sampler, pull out some dusty reccuds, and flip a few early morning beats. I like to think of it as my "beats on toast" to start the day.

Our first ingredient is a horn burst, followed by a helping of atmospherics, served with a dusty breakbeat chopped in two for easy digestion. OK so this isn't exactly gourmet cooking at its finest, but it will help you start your day bright and cheery.
I follow this with a rich helping of sleazy sax, surrounded by snappy drums, with a hint of flute. Watch out for the hidden stabs!

Mostly, I like to serve it up on the plate within a few minutes. I try never to complicate things when cooking up a selection. Too many ingredients can spoil a dish!

So, pop a couple of slices of funk in yo toaster and enjoy!

breakfast #1



breakfast #2



and if you're still hungry?

Saturday, 8 December 2007

Real Beats and Real Raps

Here at DAILY DIGGERS HQ, we're what you would call Hip Hop Purists. By that I mean that we only buy or listen to Hip Hop that truly represents the art form as it was originally intended. I know many people would call that a "blinkered" view of things, and then proceed to tell us that Hip Hop music should be progressive, but we're simply being honest. We're not haters! If so-and-so rapper has earnt millions from gangsta rappin' then best of luck to him. But for us, Hip Hop music should follow the paths the originators and forefathers laid down for us to follow. Not saying there wasn't violence back in the days, and far from it, but Hip Hop was intended to unite people and discourage gang culture, not glorify it! So all that gun-toting drug-selling bitch-slapping Cristal-drinking sound module-punching rap rubbish don't mean shit to us. Say word!

The period from 1990 through to the late 90's saw some incredible releases which were "must-buys". Both the classic early 90's stuff and in particular the mid 90s Indy rap scene was incredible. But over the last ten years of the so-called "Rap Industry", we found ourselves buying less and less new releases and we readily admit we turned our backs on the industry and its bullshit product. And it wouldn't be the first time either. There have been several periods in Hip Hop's history where the industry and its artists don't know which way to turn. From the very early days the industry thought Hip Hop was a "craze" or "fad" and just decided to milk it for what it was worth while they could. This point shows exactly how "out of touch" the industry can be - they didn't see the Hip Hop culture as a genre with longevity. For them it was here today and gone tomorrow, and even the gangster fraternity wanted a piece of the action to earn extra cash and launder their dirty money. Hence many artists got "jacked" back in the day - labels offered crumby deals, or in many cases just blatantly never paid them. Just ask KRS! But overall these people only ever saw Rap Music as way of making money in the short term. No-one (except the kids involved) ever thought Hip Hop would reach the age of 30 and become a major influence on everything from fashion to TV, music to cinema, art to politics.....and also spread to every continent worldwide.
Despite it's ups and downs, our love for Hip Hop has always kept us connected, and it always eventually rises like a phoenix from the flames to re-birth in a new form, which is truer to the artform. We've seen it happen several times so we were confident things would turn back around.

And luckily for us real hip hoppers out there, the politics of the biz and the constant weak product would again turn round on the industry itself and bite it on its own arse! The whole mp3 over CDs argument has been a major blow for the Record Companies. Despite all the new-millennium technology at their disposal it has still lead to their sales plummeting, whilst illegal downloading and file-sharing have increased dramatically amongst music fans. What comes round goes around I say.
But the artists themselves have used the same technology to their own advantage. Now the lack of respect for the artist from above has lead to bands taking on the whole pressing/manufacturing/distribution thing themselves with incredible results. And with sites like myspace etc., getting your music heard by the people you want has become a reality, without the need for a huge budget and a team of lawyers/accountants etc.. And more importantly the musical composition remains as you want it to be; no label influence or politics to deal with. This is great news for the artists and the fans. So now we're feeling positive about the Hip Hop scene again - we can ignore the weak-ass "rap" we see on TV and hear on major radio station playlists, and investigate the new independent groups out there on Internet Radio, Myspace, & Hip Hop forums for instance. There's even specialist sites like 16pads that runs a monthly beat competition for aspiring producers. Once again it's all good in the Hip Hop hood, and we're enjoying listening to new stuff again.

So when we bumped into a crew online called SPUTNIK BROWN who had a joint called "Gone Diggin'", it is safe to say we were more than intrigued.
After all, diggin' is what we do best! And these guys know their shit - in the lyrics there's a mention of New Heavenly Blue, Dalys Big Band and other secret squirrel drum breaks only hardcore diggers would know. But who are these cats?? Well, read on.....but first here's a few lines from "Gone Diggin'" and you will see exactly what I'm talking 'bout.

"My name's OX I'm a vinyl addict
Started off at 11 with this vinyl habit
Never needed toys cuz wax was all that mattered
When I see the funk in the stash - I gots to have it
45s 33s from 12s to LPs
78s whatever man it's a disease"


SPUTNIK BROWN have already paid their dues in the Hip Hop world. The crew members are...Musa The Penultimate (aka Howard Lloyd), E The 5th, Tre Best (aka Xis10s), Slim Donuts (aka Swagger Official), Oxygen (aka Ox the Architect), DJ Shark (The 'Japanese Import') and Dude Spectacular. Hailing from Long Island (the home of some of hip hop's greats) member Oxygen has been down since way back. Formerly known as Jonzhaft the Psychopath, he is already well known for rocking mics and having some mean records - he started in '88 as a ghost writer for MCs on LaRhon Records, and then dropped his own release "Groove to Get Down" on the same label which featured on DJ Muro & K-Prince's "WKOD: The Golden Era Of Hip Hop". Dues paid! So who are the other members? Musa is a childhood friend of Ox's who also got put on through the LaRhon connection, then known as KID C.H.A.O.S., and went on form House of Reps who dropped "Why It Gotta Be Me?" in 1996, along side a couple of other childhood peers INCLUDING his first cousin Tre Best . Musa also brought to the frame his good friend E tha 5th who is "the man with the beats to cause a disaster" - a cool Brooklyn cat on a mission to keep heads nodding so much we all need a neck-brace! E Tha 5th's genius began in 1991 with a busted Tascam four-track, pause tapes, and a Casio SK-1. Slim Donuts makes up the group - creatively, he and E tha 5th began formulating ideas together in 1994. Collectively, they make up the duo known as NEWSPEAK & Slim was also part of a crew of talent known as Dead Poets Society during the mid-90's. In 2003, Oxygen made his return back to New York from brief stints in Virginia & Cali, and through natural progression these creative souls united to form SPUTNIK BROWN.

Their eagerly awaited first release has just dropped on HIGH WATER MUSIC, and the 12inch features 3 stingers - "U Havin' Fun Yet?" "Brownout" and "Unadulterated". "U Havin' Fun Yet?" begins with great use of Charlie Brown (L.O.N.S.) saying "Brooooown!" and is a snappy, drumbreak-driven track with a hypnotising bassline and perfectly executed funky drum roll. Oxygen, who rhymes on this track has such a unique vocal sound (remember Gangstarr saying "It's mostly the voice"??) and drops some real clever lyrics that have you hooked from the very start. You don't wanna miss a word or beat with these guys, in case you miss something. And once the track's over, it's time to rewind and come again.

BLAAM! Have a listen to the soundclips below and see for yourself these guys got skills. If you love Hip Hop music made by artists with real skills then this crew will blow your head like the JBs! The samples are fresh out the crates, and you just know they have beats TO GO (and some stupid rare records!). "U Havin' Fun Yet?" is taken from the twelve inch, but I've also added exclusive snippets of the unreleased material "Gone Diggin'" (prod. by GENSU DEAN) and "Titles", the latter being Tre Best's incredible rundown of classic Hip Hop records from days gone.....listen carefully and see how many classics YOU can spot. Believe me the lyrics on these tracks will have you buggin'!!! And there's PLENTY MORE where this came from - ENJOY.
You can catch up with SPUTNIK BROWN's antics on their myspace page, as well as order your copy of the wax. Tell 'em the DAILY DIGGERS sent ya. Peep the new track "Hip Hop" which has recently been added, and watch out for the full-length album dropping in April 2008 entitled "THREE SHADES OF BLACK" also on HIGH WATER MUSIC. If it as well received as the twelve has been so far then we are talking "Classic Material". I also hear on the hip hop grapevine that DJ SPINNA is providing a beat for the LP. I think 2008 will be SB's year.
Also look out for Howard Lloyd's Quickie EP on sperm white wax which is also available through myspace. It may have been a quickie EP, but it's also a QUALITY EP and features the other SPUTNIK members performing at their best......if you snooze you lose!







SPUTNIK BROWN - U HAVIN' FUN YET?


SPUTNIK BROWN - GONE DIGGIN'


SPUTNIK BROWN - TITLES


JONZHAFT - GROOVE TO GET DOWN



When Sputnik blow the hell up, remember where you heard it first!!

Peace - Kid Dyno

Sunday, 2 December 2007

The Joy of Diggin'

As for record buying...I'm not entirely sure whether it's the hunt I love best, or the actual kill, but suffice to say I rarely go home empty handed! And when I'm out searching for beats, I sometimes get the feeling that a dope record is just on the horizon, and today was no different. The weather was foul once again so I needed a good wax find to make my journey worthwhile, but today I just knew I would get lucky.
Now I don't want to sound like a miser here, but any good digger will always raid the bargain bins first on hitting a spot. Don't get me wrong I am happy to pay out for a particular record if it has eluded me in the past, but the bargain bins are mainly the places to find the real gems of the day. I had already gathered some Hip Hop classics into a neat pile on top of the racks (see list below), but then I headed to the bargain corner where a few FUSION records were calling me.
Stuffed at the back I found an LP that I have wanted for some while, after a couple of beat-head friends had put me up on it. I've always enjoyed funky flutes over ill drums so I guess they knew it would be right up my street.
JOE THOMAS was one hell of a funky flautist, and his 1974 Long Player on PEOPLE Records entitled "Joy of Cooking" demonstrates his prowess on the instrument. One track in particular called "Thank You (Fall Etin Me Be Mice Elf Agin)" is a perfect example of this, and it was sampled in the last few years by the very funky crew from Sweden SPEECH DEFECTif my memory serves me right (please feel free to correct me). The drums and horns on this joint are real nice too - take a peep at the soundclip below.....


And the hardcore diggers amongst you will know that MAIN SOURCE also ripped a horn/flute riff from the track "Mike" on this LP for use in "Peace Is Not the Word to Play" off the BREAKING ATOMS LP. Maybe we will feature that track another time?? Who says we don't share the knowledge here on Breaks for Days Beats for Weeks...??

So here's a rundown of today's finds...

HIP HOP
KING TEE - Ruff Rhyme 12" (Capitol)
EPMD - Strictly Business 12" (Fresh)
DE LA SOUL - Buddy 12" (Tommy Boy)
POET - All Hell is Breaking Loose (Nu-Sounds)
UGLY DUCKLING - Fresh Mode 12" (Special)

BREAKS
JOE THOMAS - The Joy of Cooking LP (People)
GROVER WASHINGTON - Reed Seed LP (Motown)
FUNKY JUNCTION - Talking Trash (Stereo Gold Award)
JSD BAND - Travelling Days LP (Cube)
ERIC GALE - Forecast LP (Kudu) has a nice bass and horn sample used by MOBB DEEP on "It's Over" (on Landspeed).



















KID